“That which has been is what will be,
That which is done is what will be done,
And there is nothing new under the sun.” — Ecclesiastes 1:9
Ain’t nothin new under the sun, from the words of Solomon
Think fast as the ways of the world, don’t follow them
got God in us, why we act like hollow men
The way they do my life make me holler, then
I get quiet again, inhale my second wind
then that breath come in, spirit checkin in
I feel blessed again, gotta rep it then
’cause when my mind make noise it’s deafening
Todd Shaw put it best, life’s too short
They been freed the slaves, I still fiend for a Newport
You ought to understand where I’m coming from
Life under the gun, it ain’t no honey bun
gotta pace myself, must stop running
What’s mine is mine, you can’t take it from me
Laid back at the bus stop, chillin
Feelin like I’ma be right on time, God willin’ M
Continue reading “Take It Slow”
Ironically, it was my first post ever on the mothership. Now it’s literally what I’m up to. I’m heading out of town for about a week, and haven’t posted here in about a quarter of a year. But I’ll be back.
Meanwhile, it’s summertime in the LBC. Peace.
After being in a group called Reelaktz for years and years — technically since 4th grade — but not dropping any product, I did my first solo sessions with Patrick Murphy in 1999. I was living in Dallas (1997-99), and Patrick had also moved back from UT to the exact same complex as I. In 1999 I’d also gone back to Austin to work on my boy NickNack’s first single (we did a duo 12-inch under the name Soundscape) and his “Reconstruction” album.
By the summer of 1999 I’d literally moved back to Austin hoping to do the unthinkable (would it make us look crazy?) and launch an international hip-hop career straight outta the capital/casual city conveniently known as the Live Music Capital of the World. Before that year was up, a real hero named DJ Baby G had also moved to Austin. My boys from Reelaktz who’d started this event called Hip Hop Humpday (the main reason I moved back) also started a Sunday residency for Baby G at the Sidestreet Bar, which I think is now called Fuel.
By the year 2000 my neighbor from back in grade school, Bobby — the same amazing artist who did everyone’s graffiti sweatshirts, jeans, etc., at North Garland High, all the way up to my Create & Hustle album cover — who was also my ride to high school and an emcee in Reelaktz for a year or two… became the art director of a hip hop clothing store (basically) on the Drag in Austin, that was owned by another friend from school named Alex the mexican Alpha. The clothing store was the stepchild of the screenprinting shop around the corner, and I started working there as a mascot. Since we promoted the store at spots like Humpday, I met alot of folks coming in to consign CD’s as well as DJ’s, including but not limited to Jeffresh, 2DQ and UT student upstarts DJ Kurupt and Rapid Ric. Ric was doing some “mix every kind of hip hop on Earth” mixtapes with IHOP-styled artwork (not Mountain Dew, yet) and was looking for local emcees to rap on his CD’s so I offered myself.
I wanna say Hot 93.3 in Austin started around late 2001 or early 2002. And one day I heard a song by Memphis Bleek featuring Nate Dogg on my homie Deuce’s evening show. I don’t think it won “Hot or Not” or played more than 20 times, but it sure was funky and soulful. I never forgot that song, called “You Need Dick In Your Life”. I guess it was about the Vice President, to help with his approval ratings. Yes, absolutely.
Continue reading “VIDEO::”Me On the Mic” feat Vooski”
Thank you God for teaching me a thing or two about Patience. If I’m impatient and focus too much on my own desires, I become tempted to complain as if my life isn’t good. My lack of focus and proper perspective can lead my own soul astray, stealing my own joy in the process. Psh…
produced by Symbolyc One (S1) from the Extra Plair EP
[ 1 ] When you see an angel covering her eyes while cradled in a tall tree stump, you know for sure you’re at Ter’ell Productions Studio in South Austin, Texas.
[ 2 ] Going South on I-35, make a right on Stassney, another right on South 1st and… you see Ter’ell Shahid’s top priorities on the studio door. They are Saving Austin Music and Neckbone.
Continue reading “7 Shots at Ter’ell Productions Studio”