Sivion’s 2006 Spring of the Songbird LP gets lots of play to this very day at BavuBlogs headquarters, and even in our Accord and Camry. It’s that banging soulful Hip Hop style popularized by groups like Slum Village, Common and Strange Fruit Project.
Sivion, who studied architecture at the University of Miami, has personalized the genre through his presence on the Dallas underground scene by adding two unique elements — his saxophone skills and his embrace of the Christian gospel. But he’s not the guy who only raps at churches, more like a man of the people.
I did a show with him around 2005 at the Gypsy Tea Room in Dallas, and have kept up with his music ever since. And even though I have three Sivion CD’s and a cassette of he and his twin brother’s old group, Phat Kats, something about the Spring of the Songbird LP stuck to my ribs.
This album has endured, and there’s always been something special about the song So Perfect produced by the ARE. I was playing it as I typed this, and my wife said “what song is that again? I like that one.”
Continue reading “Perfect Sivion Innerview”
The Relatives, fronted by Rev. Gean West.
Simple songwriting plus strong delivery. Lawdamercy!
Continue reading “Leave Something Worthwhile”
Below is the work of lifestyle photographer and great friend, Charles Reece of Charles Edward Photography. Sometime after midnight in the early morning hours of Saturday April 16, 2010, Chuck shot these and a few more. He is one of the Top 10 inspirations in my career, a good brother indeed and a primary contributor to BavuBlogs, in case you haven’t noticed yet.
Above is a clip of us performing Smiley Faces. Shoutout to S1 lol
[ Vooski daps Chucky Sly ]
This is me dapping up co-headliner Chucky Sly, not to be confused with Chuck Reece who captured these moments with his camera. Sly and I merged our sets by transitioning with “This Just In” (Special Edition). We also went straight to the studio from the show. He also lives less than an hour from me now, in Corona, California.
[ The Look of Love ]
The experience I had on this Dallas trip was basically the exact reason why I perform and record music. There were at least 200 people there, and they were noticeably from different segments of the community. I’d estimate that about five different “scenes” all came together to make this night go as well as it did.
[ In the Face of Adversity ]
Despite a nagging injury, I did my best. Two weeks prior, I had an abcess sliced open and stuffed with gauze to drain. Then I had to change the gauze several times per day. Now if I told you where the abcess was, or how when they shot the numbing agent through the needle into it, it felt like a blowtorch shooting up my — nevermind. Overall, I felt like my energy and focus were lacking at this show, but the audience wasn’t treating me that way.
So I played right along (dap)
Continue reading “7 Shots from Dallas, Texas”